Field Notes · Journal

Notes from the studio on craft and faith.

An ongoing record. New entries with each issue. Click to read.

The philosophy of A Royal Kin dictates that art is a disservice to its audience when it prioritizes "form for forms sake" over function. Instead, there is a rightful union where beautiful form meets true function, and the design itself should reveal and honor that purpose. This principle extends beyond mere aesthetics; it is a theological commitment to ensuring that the outward appearance of a creation remains subservient to its utility and underlying message.

This approach manifests in the blending of sportswear and workwear, a deliberate design choice intended to blur the lines between different spheres of life. This synthesis serves as a statement about human existence being a period of training and preparation for eternity. By integrating these styles, the clothing reflects the scriptural mandate that man shall eat bread by the "sweat of thy face" while simultaneously preparing to "meet God".

Ultimately, the goal is to create pieces that are meant to live with the wearer and suit the physical demands of their life. Rather than being loudly performative like a sports jersey, the clothing is designed to help the wearer feel right while meeting daily challenges. The design process starts with a message and a feeling, which are then captured in a tangible, wearable piece that fulfills its measure of creation.

Issue 03 · Essay 05Read in full →

Following the pattern of the Great Creator, artistic expression should balance subtle and severe methods. God often communicates through "still, small" whispers and parables to respect human agency and invite personal reflection. In design, this means creating work that asks questions of the soul rather than just providing easy answers, attracting an audience through the quality of the design itself rather than using religious gimmicks.

Effective design often utilizes dual symbolism, where the symbol points away from itself and toward true doctrines. For example, the use of reflective chrome can represent the "refiner's fire" or the "man in the mirror," encouraging an inward examination of one's spiritual condition. By keeping messages subtle, the artist ensures that the work speaks to what people truly need, even if they do not yet recognize it as something they want.

However, there is also a place for severity and clarity when urgent spiritual truths must be conveyed. Just as God used plagues or prophetic warnings to awaken the complacent, an artist may occasionally abandon subtlety to make a message explicitly clear and obvious. Whether subtle or severe, the intent is to manifest truths of the gospel in a way that allows the audience to experience the soul of the work through their own spiritual eyes.

Issue 03 · Essay 04Read in full →

In this creative philosophy, the artist is not the only participant; the wearer becomes the context for the clothing. The piece of art is completed by the lived experience, countenance, words, and deeds of the individual who wears it. This shifts the focus from an outward expression of a brand's identity to an inward examination of the wearer's relationship with God.

Clothing is uniquely positioned as a medium because it is symbolic of the Atonement of Jesus Christ. Just as God fashioned coats of skins to cover Adam and Eve, clothing signifies the Lord's desire to cover and protect His children. Therefore, wearing a specific design is an act of taking upon oneself a name and representing a specific set of values, where the wearer decides if the piece will be used for good or for evil.

This intimate relationship between the body and apparel means that fashion is a high-visibility medium for spreading a message. The goal is not to cater to a broad audience for fame, but to ensure the message resonates deeply with the individual wearer. When the wearer lives as a disciple of Christ, the clothing they wear becomes a part of their soul and a testimony of their journey.

Issue 03 · Essay 03Read in full →

True creativity is viewed as a Godly attribute, as the artist is essentially a student of the Great Creator. All creativity belongs to Him, and secular artists who depart from this understanding are often seen as "counterfeiters" or "bootleggers" of divine principles. An inspired artist must be detail-oriented, as the meticulous care put into a work is a measure of its artistry and a reflection of God's own creative tendencies.

The mission of the artist is to assist the Godhead in engraving the doctrine of Christ upon the hearts of the audience. This is achieved by using the "language of the culture"—such as familiar silhouettes or recognized brands like Nike—to teach eternal truths. For instance, the Nike swoosh can be re-contextualized to symbolize "victory over the Devil" and the war against sin and death.

Good art must be spiritually created before it is physically created, with great thought put into both phases. The artist acts as a curator or "middle-man" (a courtier), bringing together inspired ideas to point the observer toward Christ. The ultimate value of any work lies not in its own beauty, but in its ability to pierce hearts and enlighten minds regarding the kingdom of God.

Issue 03 · Essay 02Read in full →

A message and its presentation are distinct, yet the presentation reveals how the artist feels about the message. If the execution of a design is poor or "non-chalant," the artist loses credibility, and the importance of the message is diminished. Therefore, an artist must exhibit exemplary technical skills to do justice to grand ideas and holier thoughts.

This philosophy rejects the use of AI for primary thinking; instead, the creator must develop coherent, original ideas first and only use technology to interpret or iterate on those formed thoughts. Simplicity is a virtue, as a simple message rarely requires a complicated design. The goal is to use a minimum number of steps to convey a message, ensuring that the work remains clear and avoids the confusion caused by adding unnecessary elements.

Furthermore, an artist must avoid equivocation and flattery. A fragile connection to spiritual themes does not justify a poorly executed or worldly piece. Every detail must have a spiritual purpose, and the artist should only publish work they are enthusiastic and meaningful about. By maintaining these high standards, the artist ensures that their work is an honest and righteous interaction with their audience.

Issue 03 · Essay 01Read in full →
Issue 03Spring 2026Salt Lake City, UT